Madalena Cardoso de Menezes and Francisco Teixeira Bastos both trained at the Faculty of Architecture at the Technical University of Lisbon (FA-UTL) and have had extensive professional and academic careers.

Madalena Cardoso de Menezes graduated in 1992 and began her career at Manuel Vicente’s office, where she worked on projects in Portugal and Macau, including a dressage arena at the Queluz National Palace for the Portuguese School of Equestrian Art. She was part of the winning project team for Expo’98 and later co-founded Atelier dos Remédios in 1997. She has been involved in urban and hospitality projects, such as a hotel proposal for the Vasco da Gama Tower. In addition to her architectural practice, she has been a Visiting Professor at Universidade Autónoma de Lisboa (UAL) since 2003, teaching Architectural Design Studio.

Francisco Teixeira Bastos, an architect since 1986, also had a significant collaboration with Manuel Vicente, where he worked on multiple projects before becoming a partner in Vicente’s firm in 1992. He played a key role in the design of the dressage arena at Queluz National Palace, which received an honorable mention at the Second Architecture Triennial in Sintra. Like Menezes, he was part of the winning team for the Expo’98 project and managed the Virtual Reality Pavilion for the event. His academic career has been equally distinguished; since 2000, he has been a professor at Instituto Superior Técnico, teaching Architecture Design Studio. He later pursued a PhD, focusing on the relationship between architectural communication and site integration. Additionally, he has been involved in artistic and participatory performances, notably collaborating with artist Marta Wengorovius.

Together, Menezes and Bastos have built a versatile and multidisciplinary practice, combining their design expertise with teaching and research. Through Atelier dos Remédios, they have shaped modern Portuguese architecture, contributing to residential, educational, and cultural projects, with a focus on urban regeneration and contemporary architectural solutions.

Married to the esteemed architect Eduardo Souto de Moura, Luísa Penha has established herself as a prominent figure in the Portuguese architectural scene. Her portfolio includes notable projects such as the Municipal Library of Caminha, the Sidónio Pais House-Museum in Caminha, and the EB/JI School of Padrão in Matosinhos. At the Bom Sucesso Resort, she contributed designs for seven red villas in the second phase of the project, located near the tennis courts.
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One of her acclaimed works is the Duas Portas Townhouse in Porto, a project that exemplifies her ability to merge past and present. The renovation of this 19th-century townhouse showcases her commitment to preserving historical integrity while introducing modern functionality. The design respects traditional materials and construction methods, resulting in a space that offers a unique experience to its guests.
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Throughout her career, Luísa Penha has demonstrated a dedication to creating architecture that is both timeless and contemporary, contributing significantly to the architectural heritage of Portugal.

Born in Castelló de la Plana in 1945, Josep Llinàs pursued his architectural studies at the Escola Tècnica Superior d’Arquitectura de Barcelona (ETSAB). Upon graduation, he embarked on a dual path of professional practice and academia, contributing significantly to both fields.

Llinàs’s architectural portfolio is predominantly centered in Barcelona and its metropolitan area. Notable among his projects is the Jaume Fuster Library (2006) in Plaça de Lesseps, a design that garnered him his third FAD Prize and the National Prize for Architecture and Public Space from the Generalitat of Catalonia. Other significant works include the Fort Pienc cultural facilities block (2003) in the Eixample district and a residential building on Carrer del Carme 55 (1995) in the Raval neighborhood. His sensitive restoration of the Teatre Metropol (1995) in Tarragona, originally designed by Josep Maria Jujol, further exemplifies his commitment to preserving architectural heritage.

In recognition of his enduring contributions to architecture, Llinàs was honored with the Gold Medal for Architecture by the Consejo Superior de los Colegios de Arquitectos de España (CSCAE) in 2024. The jury commended his “serene work” and “valuable intervention in existing architectures,” highlighting his role as a precursor in enhancing the quality of urban environments.

Beyond his design practice, Llinàs has been an influential educator, teaching at his alma mater, ETSAB, and other institutions. His scholarly work includes studies on architects Josep Maria Jujol and José Antonio Coderch, and collaborations with Alejandro de la Sota, notably on a building for the Spanish embassy in Paris.

Internationally, Llinàs holds the distinction of being one of only two architects from outside Portugal invited to contribute to the Bom Sucesso Resort, alongside David Chipperfield. This invitation underscores his global standing and the significance of his architectural contributions.

Throughout his career, Josep Llinàs has exemplified a commitment to architectural excellence, contextual sensitivity, and the seamless integration of modern design within historical frameworks.

João Luís Carrilho da Graça studied architecture at the Technical University of Lisbon. His work is marked by a rigorous approach to design, where every element is carefully considered and integrated into the whole. He is known for his ability to create spaces that are both functional and poetic, often employing a limited palette of materials to achieve a powerful effect. Carrilho da Graça’s contributions to architecture have been widely recognized, earning him numerous awards and accolades.

Born in Portugal, Inês Lobo graduated in Architecture from the Escola Superior de Belas Artes de Lisboa in 1989. Early in her career, she worked on public and institutional projects, focusing on adaptive reuse and integration of contemporary elements into historical contexts.

In 2002, she established her own firm, Inês Lobo Arquitectos, in Lisbon. Her designs emphasize clarity, open spaces, and a strong connection to their surroundings. Some of her notable works include the Francisco Rodrigues Lobo Secondary School in Leiria, the requalification of Piazzale Guglielmo Marconi in Bergamo, Italy, and various educational and cultural buildings in Portugal.

Alongside her architectural practice, Lobo has been deeply involved in academia, serving as a Guest Professor at the Universidade Autónoma de Lisboa and the Universidade de Lisboa. She has also played a key role in curating exhibitions and was Portugal’s representative at the Venice Biennale in 2012.

Her work has been widely recognized, earning her several prestigious awards, including the ArcVision Prize – Women and Architecture (2014). She has also been a jury member for major competitions, such as the Secil Prize (2006) and the FAD Awards (2012).

With a career that bridges practice, education, and architectural criticism, Inês Lobo continues to shape the architectural landscape, contributing to both Portugal’s built environment and the global architectural dialogue.

Born in Lisbon, Gonçalo Cardoso de Menezes pursued his studies at the Faculty of Architecture at the Technical University of Lisbon, where he developed a strong foundation in architectural design and urban planning.
His early career took him to Macau, where he collaborated with the Department of Public Works and Transport of Land (DSSOPT) and contributed to projects like the Tivoli Hotel in Porto Interior.

His expertise led him to New York, where he worked as a consultant for Emery Roth & Sons, and later to Hong Kong, where he participated in urban development initiatives, including the Zone A reorganization plan of Praia Grande Bay. His career also took him across South and Southeast Asia, where he spent time in India, Burma, and Thailand, drawing inspiration from diverse architectural traditions.

Returning to Portugal, Menezes became a project professor at the Lusophone University of Humanities and Technologies, collaborating with renowned architects such as Fernando Torres, Manuel Vicente, Eugénio Castro Caldas, Nuno Gomes da Silva, and Manuel Graça Dias. His work in Angola included collaborations with Consulmar, Projectists and Consultants Lda., as well as consultancy for the Ministry of Public Works and Urbanism, where he played a key role in the Kaxicane Social Complex in Bengo.

Menezes has also been successful in architectural competitions, winning first place for the Oitavos Golf Clubhouse Project at Quinta da Marinha, Cascais, and the Solid Phase of the Macau Wastewater Treatment Plant. His work is prominently featured at Bom Sucesso Resort, where he designed superior two-bedroom villas with panoramic views of the golf course, showcasing his signature approach to integrating architecture with the surrounding landscape.

With a career that spans multiple continents and disciplines, Gonçalo Cardoso de Menezes remains a key figure in contemporary architecture, known for his ability to adapt and innovate across different cultural and environmental contexts.

Gonçalo Byrne studied architecture at the Escola Superior de Belas Artes de Lisboa. His work is characterized by its strong forms, use of concrete, and dramatic interplay of light and shadow. He has designed a wide range of projects, including public buildings, residential complexes, and urban interventions. Byrne’s architecture reflects a deep understanding of construction and materials, resulting in buildings that are both technically sophisticated and visually compelling.

Carlos Prata, born in 1950 in Porto, Portugal, is a distinguished architect whose career spans several decades, marked by significant contributions to Portuguese architecture. He completed his architecture degree at the Escola Superior de Belas-Artes do Porto (ESBAP) in 1975, finalizing his studies in 1980.
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Between 1977 and 1979, Prata collaborated with architect Arménio Losa. From 1979 to 1985, he partnered with Arménio Losa and Henrique de Carvalho, further honing his architectural skills. In 1985, he established his own firm, Carlos Prata Gabinete de Arquitectura e Serviços, Lda, in Porto.
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His firm’s activities encompass detailed planning, urban design, and architecture projects, including the design of fixed furniture and exterior spaces. Notable completed works include the Douro Breakwaters, the CUF Institute, and the Hotel and Tourism School of Porto.
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Prata has been actively involved in professional organizations, serving on the Board of the North Section of the Portuguese Architects Association (1987–1990), the National Council of Delegates (1992–1995), and the National Board of Architects (1998–2001). He was also the Chairman of the General Assembly of the North Section of the Portuguese Architects Association (2001–2010).
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In academia, Prata was an assistant at the Oporto Higher Institute of Fine Arts between 1980 and 1990. Since 1999, he has been an Assistant Professor at the University of Porto’s Architecture Faculty, contributing to the education of future architects.
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His architectural philosophy emphasizes a passion for design, whether working on large-scale urban projects or small design pieces. He approaches each project as a challenge, striving to balance the pursuit of beauty with practical considerations such as energy efficiency, material durability, and budget adherence.
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Carlos Prata’s dedication to architecture and his comprehensive approach to design have established him as a prominent figure in contemporary Portuguese architecture.

Álvaro Leite Siza Vieira was born in 1962 in Porto, Portugal, into a family with a deep architectural legacy. He studied architecture at the University of Porto and soon developed a unique architectural language, distinct from but influenced by his father, Álvaro Siza Vieira. His designs emphasize pure geometric forms, interplay between light and shadow, and a seamless connection with the surroundings.

Throughout his career, he has worked on residential, commercial, and public buildings, with a particular focus on minimalist yet expressive architecture. One of his most recognized projects is Casa Fez in Porto, a striking residence that showcases his mastery of space, structure, and material contrasts. His work has been published and exhibited internationally, cementing his place in the contemporary architectural landscape.

Alcino Soutinho studied architecture at the Escola Superior de Belas Artes do Porto. He established his practice in Vila Nova de Gaia, where he primarily worked. Soutinho’s architecture is characterized by its simplicity, functionality, and respect for the context. He was a master of detailing and the use of light and shadow. His notable works include the aforementioned Casa da Ribeira, as well as several social housing projects and schools. His approach to architecture, marked by its humanism and poetic sensibility, has left a lasting impact on Portuguese architecture.