Born in Lisbon in 1961, João Pedro Falcão de Campos developed an early passion for architecture and spatial design. He pursued his studies at the Faculty of Architecture at the Technical University of Lisbon (FA-UTL), graduating in 1984. Seeking to expand his architectural vision, he worked internationally in Switzerland and Italy, collaborating with architects Jean Gérard Giorla and Anna Maria Linty.

In 1987, Falcão de Campos returned to Portugal to establish his own architecture studio in Lisbon, where he began developing projects that emphasized precision, proportion, and material integrity. His design philosophy is rooted in clean geometries, natural integration with surroundings, and a refined aesthetic that balances form and function.

From 1993 onward, he collaborated on significant projects with Álvaro Siza Vieira and Gonçalo Byrne, further refining his approach to architecture. His notable works include the Banco de Portugal Headquarters renovation and the Assisted Pedestrian Route in Lisbon, both of which highlight his ability to merge historical preservation with modern innovation.

His work has received multiple accolades, including the Beja 2000 Municipal Prize and recognition at the Sintra Architecture Triennale, reinforcing his status as an architect of national and international importance.

Beyond his architectural practice, Falcão de Campos is an educator, having served as a guest professor at various institutions, including the Instituto Superior Técnico in Lisbon and the University of Navarra in Pamplona. His work has also been featured in prestigious publications such as El Croquis, further solidifying his influence in contemporary architecture.

With a rich portfolio of projects that range from urban interventions to large-scale cultural and institutional buildings, João Pedro Falcão de Campos remains a key figure in modern Portuguese architecture, known for his rigorous attention to detail, material craftsmanship, and innovative design solutions.

Born in Lisbon in 1962, Egas José Vieira studied at the Faculty of Architecture of the Technical University of Lisbon, graduating in 1985. Early in his career, he gained experience in public and institutional projects, focusing on designs that integrated light, space, and urban context.

In 1990, Vieira co-founded Atelier Contemporânea with Manuel Graça Dias, forming a long-standing partnership that resulted in iconic projects such as the Luís de Camões Theater in Lisbon, the Olive Tree and Olive Oil Museum in Mirandela, and numerous other cultural and public buildings. Their designs were characterized by bold geometries, innovative material choices, and a balance between function and artistic expression.

In addition to his architectural work, Vieira has been an educator, serving as a guest assistant professor at institutions such as the School of Technology and Management of the Polytechnic Institute of Leiria and the Department of Architecture at the Autonomous University of Lisbon. His influence extends beyond buildings, shaping future architects through teaching and mentorship.

With a career spanning several decades, Egas José Vieira continues to contribute to Portuguese architecture, ensuring that the principles of contemporary design and urban integration remain at the forefront of architectural discourse.

Eduardo Souto de Moura studied architecture at the University of Porto. He worked with Álvaro Siza Vieira before establishing his own practice. Souto de Moura’s architecture is marked by its restraint, clarity, and mastery of materials. He has received numerous prestigious awards, including the Pritzker Prize. His work demonstrates a deep understanding of architectural history and a commitment to creating buildings that are both functional and beautiful. Souto de Moura’s influence on contemporary architecture is significant, inspiring architects with his timeless and elegant designs.

Oscar Niemeyer (1907–2012) was one of the most influential architects of the 20th century, renowned for his bold use of concrete and sensual, sculptural forms that defined the modernist language of Brazil’s capital, Brasília. A key figure in global modern architecture, Niemeyer’s work transcended continents, blending utopian ideals with poetic expression.

In Portugal, Niemeyer’s legacy is felt through his rare but remarkable project — the Casa das Canoas-inspired “Casa das Artes” in Famalicão (1991), completed in collaboration with architect Sérgio Fernandez.